tom mic shootout
You can hear the speed of these mics if you listen to the attack of each drum hit. These two mics don’t have a matching pair, so I usually don’t use them on toms, but this will give you some idea how they compare. New from Zoom - PodTrak P8. I modified these because I got bored and wanted to try something different. PreSonus PD-70 vs Shure SM7B, Shure MV7, Aston Stealth, Audio-Technica BP-40, Broadcast Mic Shootout - PreSonus PD-70 vs Shure MV7 - Sound Samples. In fact, they handled the transients so well, the recorded tracks looked almost like they had already been compressed! I find them pretty dang good on toms. Save 10% on new & used items with promo code FALLDEAL10. However, when I positioned them closer to the tom head, almost parallel to the head and pointing across it (see image below), I liked the sounds of the tracks much better, and they sounded much more similar to the M179’s. This is a stark contrast to the normal peaks in the waveforms (with the occasional harder hit on the snare) that I see with the small diaphragm condensers that I’ve often used in the past. Many times dynamics can be very musical in how they shape the sound, so a high-end sound is not always best. After all, I’ve recorded some really outstanding acoustic guitar & tom tracks with them, but they just didn’t make an ideal tom mic for every recording situation. Nulls out to the sides. The snare is my [new] C&C 14X4 10-ply maple Abalone-wrapped snare with single-flange hoops. Shotgun Mic Shootout. Great for cymbal nulling because not all cymbals can be in the perfect position, but it may be easy to adjust the polar pattern so that the null be going towards the cymbal. Based out of Appleton, Wisconsin, we are musicians, engineers, artists, and creators that are passionate about the gear we sell. | Tags: cad, e604, m179, mics, Sennheiser, tom. This time I used our college studio (special thanks to my friend Josh for helping out!). As a sound hits the front of the mic, it takes a small amount of time to wrap around to the back of the capsule. But I had since changed over to a different drum kit (Tama Starclassic Birch) with a different type of suspension mount that allowed me to use the stock e604 rim clips, rotate the mics 90 degrees to one side or the other, and put them right where I wanted: very close, with the mic’s body almost parallel to the head, with the mic pointing across the head instead of pointing down at it from an angle. (414 is you want a condenser) The RE20 is a high-quality dynamic mic that is great at staying clear of too much proximity build up even when very close to it’s source. This time difference means that there will be a difference in sound pressure as well, causing a boost in low frequency. They have a really nice mid range and record the drum in a really pleasing way. Copyright © 2020 Creative Sound Lab - Recording School. In fact, as I listened back to those overhead tracks, I could almost imagine getting away with using ONLY the M179’s as overheads and maybe a close mic on the kick for some sessions. For the next session, I set them up in a typical AB position, checked to be sure they were equidistant from the snare, and let me tell you, I REALLY liked the sound of those overhead tracks–particularly when I put the M179’s in Omni mode. Tama Starclassic Birch Drums, Categories: Drums, Live Sound, Recording, Reviews, Tips for Artists & Bands, Tips for Engineers I normally edit my tom tracks to remove any silence and spill/bleed (other drums, cymbals, etc. All tom microphones are going into a Warm Audio WA12. Tom Mic Shootout! If you don’t own them and are in the market for tom or overhead mics, you should definitely add them to your short list of models to consider. Positioning an M179 on the floor tom was easy enough, but he had several cymbals that made it very difficult to position them on the mounted toms. This is the quickest mic of the bunch. Brad . Very wide, almost no null in the back. You may find that certain positions or mics will sound bad on their own, but sound very nice in the context of other microphones. Aside from being able to easily place these mics in tight spots, and get them very close to dial in the proximity effect, the main reason I would use the NT55 (Or any other Small Diaphragm Condenser) is because of the speed of the transient. Wes Dooley of AEA informed me that his mics, such as the R84 and R88, start to have proximity effect at 12 inches out. In this episode, the guys gather around the drum to listen to some tom mics. Their ability to reject cymbals is also fairly good, a little better than the NT2000. They are called the “Poor mans 414” but to be honest, they are nothing like a 414. Picks up sound equally from the back. When you buy products through links across our site, we may earn an affiliate commission. Omnidirectional as no Proximity Effect. They are $600 each, though, but I feel that the quality can be heard when comparing these to the $150 CAD m179. CAD M179 Condenser Mic So here I am a few years down the road, and I’ve come full circle on tom mics: I’m back to using the e604’s. as we all know, moving a close mic on the toms even a little bit can make a significant change in the tone. After that shootout, I continued using the M179’s as my go-to tom mics for the next few years. Sign up for our All Access newsletter for the latest news, exclusive deals, giveaways, and more! This is the best practice. At that time, I had been using the e604’s for recording my tom tracks and really wasn’t too thrilled with them. When I positioned them in what I considered a fairly conventional way (a couple of inches above the head, pointing down toward the center of the head at an angle–see image above), I didn’t really like the sound of the tracks. Take a listen to the broadcast mic comparison. The spill wasn’t bad at all with the e604’s. A few months ago I picked up a pair used with shockmounts and a nice custom made flight case for $180. A modified 57 will have a little more top end, and perhaps a touch more bottom. This is the new standard for tom mics. Dynamic mics will round off the transient, while SDCs will preserve it. If you make a purchase after clicking a link, we may earn some money to help offset our expenses and create more helpful content like what you see here. These are provided so that you can fully understand how each tom should sound on its own, and how sounds can add up to make a complete picture of the drum kit. Today, I am testing out and directly comparing three directional microphones for film and video production. Much quicker than the dynamic options below. And in the process I’ve found a new favorite overhead mic: the M179. The most proximity Effect. Sennheiser e604 Dynamic Drum Mic Zoom's new PodTrak P8! ), leaving behind only the actual hits on the toms. This polar pattern is fairly easy to adjust the sound using the proximity effect. On the second session, I decided to try something different: I dusted off a couple of e604’s and used them on the mounted toms. A few years ago, I blogged about a tom mic shootout that I conducted between two very popular mics for toms: the Sennheiser e604 and the CAD M179. Author Topic: The Tom Mic Shootout (Read 18739 times) J.J. Blair. I also discovered something very interesting about the M179’s: they handle transients better than any other condenser mic I’ve used. At that time, I had been using the e604’s for recording my tom tracks and really wasn’t too thrilled with them. They are quick like a condenser and have the typical bright sound of a condenser, but I don’t find them to be brittle. These mics are great for toms. Rode NT2000 in Cardioid. We have set up a separate forum area to discuss everything related to the Coronavirus / COVID-19. At the time of my original shootout, I was using a different drum kit (Ludwig Classic Maple) in the studio, and the stock clips that came with the e604’s had not played nicely with the RIMS-style tom suspension mounts on those drums. You might want to consider a ribbon mic if you truly want the Figure 8 pattern so that the high frequencies are more natural.
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